Schedule
TENOR AND ACMC PROGRAM 2019
Venue Information
On Campus
The Music Auditorium, Foyer, Drama Theatre, Drama Workshop, Computer Lab, and rooms G01 and 226 are in the Sir Zelman Cowen School of Music
Building 68
The Sound Gallery and Jazz Club are in the Ian Potter Centre for Performing Arts, 48 Exhibition Walk
Off Campus
Make it Up Club is at Bar Open, 317 Brunswick St Fitzroy 3065
MESS and the Grainger Museum are in the Melbourne CBD
Morning and afternoon tea provided most days, lunch at delegates own expense. See the guide at the end of the program booklet.
Tuesday 23 July
Time | Event | Venue |
09:00 – 10:00 | Conference registration and morning tea
| Foyer |
10:00 – 12:00 | TENOR Panel 1: Singing from Country: Exploring Indigenous Australian Perspectives on Connections to Country through Music
Chair: Aaron Wyatt
Aaron Corn, Grayson Rotumah, Jessie Lloyd | Auditorium |
12:00 – 13:00 | Lunch break |
|
13:00 – 16:30 | Grainger Museum, MESS visit
| Melbourne CBD |
13:00 – 15:00 | TENOR Performer’s Lab: Robyn Schulkowsky Introduction: Louise Devenish Exploring a selection of works by Christian Wolff | Auditorium |
concurrent | TENOR Workshop 1: Skot McDonald. Roli
Ideation: Let’s Improve Representation and Editing of Polyphonic Expression!
| G01
|
concurrent | TENOR Workshop 2: Aaron Wyatt. Decibel ScorePlayer
| Computer Lab
|
15:00 – 17:00 | TENOR Workshop 3: Dorico Notation Software
Michael Rohanek
| G01
|
concurrent | TENOR Workshop 4: Shane McKenna. DabbleDooMusic
“A New Musical Pedagogy in Action” | 226 |
17:00-18:00 | Welcome to Country and Opening Cocktail events
Performance of Catherine Schieve’s “Ink Jungle” by Decibel | Ian Potter Centre for Performing Arts |
18:30 – 20:00 | TENOR Concert 1: Clocked Out duo
Alex Christie “Memory Calendar with Pieces Missing” Ryan Ross Smith “Study no. 0”
Carmen Chan Schoenborn “FW: REGENERATE” Joshua Tomlinson “A Short Story”
Lindsay Vickery “Kurui”
| Auditorium |
20:00 -20.30 | Travel to Fitzroy
| |
20:30 – 22:30 | ACMC Concert 1: Make it Up Club Improvised works by Leah Blankendaal, Busevin Brigid Burke, Mark Pedersen, and Roger Alsop | Bar Open Fitzroy, Melbourne City. |
Wednesday 24 July
Time | Event | Venue |
09:00 – 10:00 | Conference registration open
| Foyer |
10:00 – 12:00 | ACMC Installation 1: Jack Woodbury “A Tree Falls” | Drama Workshop |
11:00 – 11:30 | Morning Tea | Foyer |
11:25 – 11:30 | Opening Remarks: Professor Cat Hope | Auditorium |
11:30 – 13:00 | TENOR Paper Session 1 Chair: Cat Hope Jonathan Bell and Benedict Carey “Animated Notation, Score Distribution and AR-VR Environments for Spectral Mimetic Transfer in Music Composition” Rama Gottfried and Georg Hajdu “Drawsocket: A Browser Based System for Networked Score Display” Georg Hajdu and Rama Gottfried “Networked Music Performance in the Old Elbe Tunnel” | Auditorium |
concurrent | ACMC Paper Session 1 Interaction and Generative Composition Chair: Lindsay Vickery Charles Martin “Interacting with Musical Neural Networks from the Performer’s Perspective” Christina Hopgood, Charles Martin and Gísli Jóhann Grétarsson ”Synesthetic: Composing works for Marimba and Automated Lighting” Mark Pedersen, Brigid Burke and Roger Alsop “Listening to the spaces between gesture, sound and image: reflections on audio-visual performance practice” | G01 |
13:00 – 14:00 | TENOR Keynote 1: Miki Kaneda Chair: Cat Hope “World Graphic Scores: Performative Technologies of a Transpacific Avant-Garde”
| Auditorium |
14:00 – 16:00 | ACMC Installation 2: Leah Blankendaal
1.3-2.4
| Drama Workshop |
14:00 – 15:30 | TENOR Paper Session 2 Chair: Ryan Ross Smith Linda Bouchard and Joseph Browne “Live Structures” Elisabeth Schimana “Sound as Score” Charlie Sdraulig and Chris Lortie “Recent Audio Scores: Affordances and Limitations” | Auditorium |
concurrent | ACMC Paper Session 2a Electronic Music Performance Chair: Donna Hewitt Warren Burt "’Hexany Diamond 5 7 11 13’ A Microtonal Computer Music Composition used Wide Blue Sounds Orbit Softsynth in a 19 note Ervin Wilson Scale” Charles Martin “Neurofeedback - Music for Neural Network and Electronic Sounds” Susan Frykberg “Trialogue Across Three Time Zones - Three Computer Musicians in Conversation” | G01 |
concurrent | ACMC Paper Session 2b Digital Tools
Chair: Charles Martin David Hirst “NES-Spectrale, a Suite of Max Tools for Processing in the Frequency Domain” David Hirst “NES-Tools, a Signal Processing Suite for Max” Skot McDonald “A Machine For Gigging: Towards A Computable Model of Electronic Music Performance”
| 213 |
15:30 – 16:00 | Afternoon Tea
| Foyer |
16:00 – 18:00 | TENOR Panel 2: TENOR Network
Cathy Milliken, Murat Gürel, Martin Scherzinger, Ramesh Vinayakam, Sandeep Bhagwati Chair: Terri Hron “Notation and Representations beyond the Eurological Tradition – Conventions, Challenges, Concepts” | Auditorium |
18:00 – 19:30 | Music Notation Exhibition opening Event and/or dinner break | Louis Matheson Library |
19:30 – 21:00 | TENOR Concert 2: Elision Ensemble
Dr. Christian Dimpker “Utopia V”
David Kim-Boyle “5x3x3”
Peter McNamara “Voice of the Depths”
Paul Turowski “SQ2”
Rebekah Wilson “F. Not F.” | Sound Gallery |
Thursday 25 July
Time | Event | Venue |
09:00 – 09:30 | Conference registration open
| Foyer |
09:30-11:00 | TENOR Paper Session 3 Chair: Sandeep Bhagwati Rebekah Wilson "Towards Responsive Scoring techniques for networked music performances" David Kim-Boyle and Benedict Carey “Immersive Scores on the HoloLens” Aaron Wyatt, Lindsay Vickery and Stuart James “Unlocking the Decibel ScorePlayer” | Auditorium |
concurrent | ACMC Paper Session 3a Compositional Approaches Chair: Cissi Tsang Ryan Burge and Stuart James “Exploring Hyperrealism in Electroacoustic Music” Jonathan Maltman and Lindsay Vickery “An Approach to the Creation of Speech-Melody Works” Lindsay Vickery “An Approach to the Creation of Large-Scale Site-Specific Works for Ensemble and Electronics” | G01 |
concurrent | ACMC Paper Session 3b Spatial Music Chair: Nicole Carroll Alexis Weaver “Small Diffusion, Big Impact: Composing Immersive Acousmatic Music for the Non-Ideal Listening Situation” Stuart James “Navigating Through and Constraining Chaos: A Morphological Approach to Chaotic Sound Synthesis” Troy Rainbow and Stephanie Peters “’Want it to End' - Towards a Virtual Theatre” | 213 |
|
| |
9:00 – 11:00 | Meyer Constellation Session Ryan Ross Smith: Invited guests will play pieces through the Constellation system | Sound Gallery |
11:00 – 11:30 | Morning Tea
| Foyer |
11:30 – 12:30 | Keynote 2: Dr. Catherine Schieve
Chair: Cat Hope “Notation, Reading, and Environment: re-inventing the World”
| Auditorium |
12.30 - 13.30 | Lunch Break
| |
13:30 – 15:00 | TENOR Paper Session 4 Chair: Nat Grant Dylan Davis “The Monthly Acid Pattern – An Accessible Notation System for Acid House collaboration” Andy Ingamells “Performing the Compositional Act with Bouncy Castles, Soap and Shh” Luke Nickel “Palace 64: Impossible Virtual Roller Coasters as Musical Scores” | Auditorium |
concurrent | ACMC Paper Session 4a Education Issues Chair: Roger Alsop Charles Martin, Alexander Hunter and Benjamin Swift “Two Perspectives on Rebooting Computer Music Education: Composition and Computer Science” Benjamin Murphy “Practicing Creativity and the Pedagogical Benefits of ‘Beat Cyphers’” Alex White “Analog Algorithms: Generative Composition in Modular Synthesis” | G01 |
concurrent | ACMC Paper Session 4b Historical Perspectives Chair: Mark Pedersen Stefanie Petrik, Kylie Supski and Roger Alsop “John Cage's Lecture on Nothing: An Experimental Theatre Production” Cissi Tsang “Composing Soundscapes From a Single Field Recording” Annika Moses and Lindsay Vickery “Irene Greenwood, Sisters Akousmatica and Expanded Radio: Encouraging Feminist Communities Through Radical Transmission Arts” | 213 |
15:00 – 15:30 | Afternoon Tea | Foyer |
15:30 – 16:00 | TENOR Concert 3: Monash Electronic Music Ensemble Andy Ingamells “Long Piece” Haruka Hirayama “On Gaku” Ralph Lewis and Robin Meiksins “Duo Tube” | Auditorium |
16:00 – 17:30 | ACMC Concert 2: Live electronics Donna Hewitt “Permafrost” Stefanie Petrik, Kylie Supski and Roger Alsop “Lecture on Nothing” John Robert Ferguson and Andrew Brown “Audio-visual Interiors" Nicole Carroll “Orrery Arcana” Lindsay Vickery “Qaalup” | Drama Theatre |
17:30 – 19:00 | TENOR Concert 4: Decibel New Music Joseph Bohigian “Stone Dreams” Alison Isadora “STEMMEN V2.1” Gudmundur Gunnarsson Leyfðu hjólinu Jean-Michel Maujean Djimiluk at Waychinicup Luke Nickel “Impossible Virtual Rollercoasters” Cat Hope “The Aesthetics of Disappearance” Seth Shafer “Law of Fives” Linda Bouchard and Joseph Browne Murmuration/Murmure: Live Structures #3 Brigid Burke “Gloss” | Auditorium |
19:30 – 22:00 | Conference Dinner
5 minute drive/25 minute walk, or bus 742 at 7:08pm from Monash bus interchange. Order as you go | Notting Hill Hotel 260-262 Ferntree Gully Road, Ferntree Gully 3168 |
Friday 26 July
Time | Event | Venue |
09:00 – 09:30 | Conference registration open
| Foyer |
09:30 – 11:00 | TENOR Panel 3: Animated Notation Today
Chair: Cat Hope Monash Animated Notation Research Group plus special guests Ryan Ross Smith, Lindsay Vickery, Rebekah Wilson, and David Kim-Boyle | Auditorium |
concurrent | ACMC Paper Session 5
Chair: Vicki Hallett Jean-Michel Maujean, Skot McDonald and Stuart James “Exploring the Musical Potential of the Noisy Scrub-Bird (Djimiluk) Through Computational Analysis” Leah Barclay and Mauricio Iregui “Listening to Invisible Ecosystems: Live Streaming Audio from Freshwater and Marine Environments” Leah Barclay and Michael Towsey “Visualising the Soundscapes of Inaudible Ecosystems”
| G01 |
11:00 – 11:30 | Morning Tea
| Foyer |
11:30-13:00 | ACMC Concert 3: 8.1
David Hirst “The Portuguese Suite (8 Channel Version)” Jesse Austin-Stewart “Beyond Nearsightedness” Stevie Jonathan Sutanto “Clipping-Dream” Ryan Burge “Returning Home” Stuart James “Particle IV” Alex White and Ian Stevenson “Meso-modulus, for modular synthesiser and digital spatialization”
| Drama Theatre |
13:00 – 14:00 | Lunch break | |
14:00 – 15:00 | TENOR 2020 Announcement and Presentation
| Auditorium |
15:00 – 16:00 | ACMC AGM | Auditorium |
16:00 – 16:30 | Afternoon Tea | Auditorium |
16:30 - 17:30 | Tour of MAMU Monash Archive of Monash University
| 4th Floor, Menzies Building |
17:30- 18.30 | Informal drinks at the jazz club | |
18:30 – 20:00 | TENOR Concert 5: Speak Percussion
Damien Ricketson “Hectic Cinnamon” Sean Quinn “Unity” Marta Tiesenga “ROTOGLYPH” Elisabeth Schimana “Virus” Ciaran Frame “Unicellular”
| Sound Gallery |
20:00 – 20:45 | ACMC Concert 5: Instruments and electronics
Fiona Hill “Imago” Pei-Fen Huang “In the Name of Love” Sandra González “Proyecciones Sonoras”
| Drama Theatre |
Saturday 27 July
Time | Event | Venue |
11:00-11:30 | Conference Registration
| Foyer |
11:30-12:30 | ACMC Concert 4: Video
Michael Spicer “A Fireside Tale” Cissi Tsang “Corridor” Barry Hill “The Sound of a Sunrise...” Julian Scordato “Constellations” Leah Barclay “Migration Patterns: Invisible Ecosystems” | Auditorium |
11:00-13:00 | ACMC Installation 3: Vicki Hallett
“Beyond Our Hertz-Parallel Universe” | Drama Theatre |
12:30-13:30 | Lunch break | |
13:30-14:00 | TENOR Performance
Jeremy Ham
“Improvising Polyrhythmic Space”
| Auditorium |