| Session 5: INTERACTION | |
| 1000 - 1030 | Performer Action Modeling in Real-Time Notation
Shafer (UNT) |
| Session 6: MUSIC | |
| 1030 - 1100 | Timed Sequences: A Framework for Computer-aided Composition with Temporal Structures
Garcia (ENAC), Bouche (IRCAM STMS), Bresson (IRCAM STMS) |
| 1100 - 1130 | The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation
Faraldo (UPF), Herrera (UPF), Jorda (UPF) |
| 1130 - 1200 | Generating Equivalent Rhythmic Notations based on Rhythm Tree Languages
Jacquemard (INRIA, STMS, IRCAM), Ycart (QMUL), Sakai (UNagoya) |
| 1200 - 1215 | BREAK |
| 1215 - 1300 | KEYNOTE:
Luca Andrea Ludovico (LIM) Digitization of Historical Music Archives: Preserving the Past, Embracing the Future |
| 1300 - 1445 | LUNCH |
| 1515 - 1530 | TENOR 2018 |
| 1530 - 1600 | Are Scores Maps? A Cartographic Response to Goodman
Miller (Dartmuth) |
| Session 7: COLLABORATION | |
| 1600 - 1630 | Vexations of Ephemerality. Extreme Sight-Reading in Situative Scores - for Makers, Performers, Audiences
Bhagwati (ConcordiaUM) |
| 16:30-17:00 | A Hierarchic Diff Algorithm for Collaborative Music Document Editing
Trevino (CSUMB), Weaver (UIUC), Antila (nCoda) |
| 17:00-17:30 | Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore
James, Hope, Vickery, Wyatt (WAPA) Carey, Fu, Hajdu (HfMT) |
| 1730 - 1745 | BREAK |
| CONCERT 2 | |
| 1800 - 1815 |
Framework: Silence / Loop
Nielsen (Denmark) |
| 1815 - 1830 | Plurality Spring
Turowski (ICCaT) |
| 1830 - 1845 | Collaborative work of participants in the workshop
Toralitarian Scoring Workshop |